movies & series 🍿

🍄 Super Mario Galaxy Movie: into the stars 🌌

📆Release: April 3, 2026
🎭Genre: #Adventure#Animation
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Mario and Peach are back, this time blasting off into space. The trailer shows floating worlds, a tiny Bowser, and the fierce Bowser Jr. voiced by Benny Safdie (Uncut Gems). 💥

The big surprise is Brie Larson (Captain Marvel) as Rosalina, the cosmic queen who steals the spotlight with pure starlight magic. ✨

The animation looks stunning, the nods to Galaxy and Odyssey are pure fan service, and the hype is already through the roof. Another billion-dollar hit in the making. 🚀

✈️AI News · 🎮Games · 🍿Series

🤯 Pluribus: the show that tells you “be happy”... or stares at you weird if you're not

Just finished the first few episodes of Pluribus 📺 and my brain is spinning in circles. What did I just watch? 🌀

Imagine this: the world freezes for a moment, and when everything kicks back in, millions of people have merged into a single collective being living in full-blown happiness. But you didn’t. You’re one of the few left out. Now everyone around you is gently trying to convince you to join. No threats, no pressure, just endless kindness. Still, something feels... off 😐

Rhea Seehorn (yup, Better Call Saul) is absolutely perfect here. She carries it all with this intense mix of control and quiet rage. The vibe is very Severance, The Leftovers, even a bit of The Prisoner. But this time Gilligan (Breaking Bad) goes full sci-fi with minimal action and maximum brain fuel.

💡 Is happiness real if you’re not free? Do we have the right to feel bad? Or maybe the real issue is you not knowing how to be happy?

This isn’t a popcorn binge. It’s slow, strange, and suddenly hits you with a scene that feels completely unique. You’re left staring, uncomfortable, thinking, “what would I do?”

If you start it, just know... there’s no going back.

🍿 ‘Five Nights at Freddy’s 2’: More animatronics, more terror… and this time it actually looks like a real movie 👀🧨

📆Release: December 5, 2025
🎭Genre: #Horror · #VideoGames
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The new trailer raises the bar: less goofiness, more nightmares. Emma Tammi returns behind the camera with a much darker tone, with animatronics literally everywhere (including a mangled, spider-like Mangle) and Matthew Lillard (‘Scream’) back as the inevitable Springtrap/William Afton. Josh Hutcherson (‘The Hunger Games’) and Piper Rubio return too, joined by Elizabeth Lail (‘You’) and Mckenna Grace in full Ghostbuster mode leading a team of paranormal investigators. 🐻🤖🩸

Finally, it feels like a real hunt. Those tense sequences the first film barely touched now seem to take center stage. The animatronics look flawless, and the editing nods to classic horror. 😅🍿👻

🤖 Ever wondered why AI texts keep using that weird dash —?

There's a surprising reason behind it.

😂 Kit Harington said he almost gagged after kissing Emilia Clarke on the set of Game of Thrones.

After ten years filming together, he said she feels like a sister to him — and she also happens to be his wife Rose Leslie’s best friend.
Oh, and to make it even weirder, their characters were aunt and nephew.

🍿 ‘Scream 7’: Sidney Prescott Back in the Crosshairs — and Ghostface Is Ready to Burn It All Down 🔪🔥

📆Release: February 27, 2026
🎭#Horror · #Slasher
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Neve Campbell is back. Kevin Williamson (the guy who wrote the rules of the slasher with Scream (1996)) is now in charge. The trailer opens with the line that made us all addicted to late-night phone calls: ‘Hello, Sidney… did you miss me?’. With that alone, the fandom lost its mind.

Sidney now lives a quiet life with her teenage daughter (Isabel May) and her cop husband (Joel McHale). Quiet, until Ghostface dials her number again. The trailer makes it clear that this time, the killer isn’t just after blood — he wants to erase the legend. And yes, someone screams ‘I’m gonna burn it all down’ as the Macher house goes up in flames. 🔥

We see Courteney Cox again and, surprise, even the “dead” Matthew Lillard and Skeet Ulrich return. But fans are divided: some are celebrating Sidney’s comeback, while others say the franchise has lost its meta edge and now feels more like Halloween (2018) than Scream 4.

To me, it’s obvious. It’s bloody fan service — an emotional farewell soaked in nostalgia with a hint of unintentional self-parody. Cringe, chaos, and stab wounds. Exactly how it should be. 🩸

🩸 Terrifier actress sues producers for using her nude scene without consent

Catherine Corcoran, star of the first Terrifier film, has filed a lawsuit against the producers for failing to pay her what she was promised and for using her nude scene without written permission.

She had agreed to take only 1% of the film’s profits, which later surpassed $100 million, but ended up receiving just $8,341. The lawsuit also claims she filmed the brutal scene where she’s hung upside down and sawed in half without the authorization required by the SAG-AFTRA union.

⚖️ If confirmed, Terrifier could go from indie horror gem to industry cautionary tale.

✈️AI News · 🎮Games · 🍿Series

🎃 ‘South Park’ blows up the White House… and Trump

The new Halloween special, ‘The Woman in the Hat’, is pure dynamite 💥. Trump decides to demolish the East Wing of the White House to build a ballroom, while a ghost slips in through the rubble and Stan starts wondering if South Park has become too political.

I love seeing the return of that furious South Park, the one that doesn’t forgive anyone, not even itself. Sure, many fans miss the boys’ classic crazy adventures, but let’s be honest: watching Trump and Satan oversee a presidential demolition sounds way too fun to complain 😈. It’s a reminder of why this show remains the freest, sharpest satire on television.
Image: Comedy Central

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🤯 12 MOVIES WITH TWIST ENDINGS THAT WILL BLOW YOUR MIND (and that you’ll never see the same way twice) 🎬

Some movies don’t just end — they hit you. The kind that make you stare at the credits in total silence, replaying everything in your head. Here are 12 films that completely change once you know the ending — and experiencing them for the first time is pure cinematic magic.

1️⃣The Usual Suspects (1995)
A police interrogation, a mysterious criminal, and the most iconic reveal in modern cinema 🕵️‍♂️. Kevin Spacey earned his Oscar — but the real winner is the audience’s disbelief.

2️⃣The Sixth Sense (1999)
‘I see dead people.’ 👻 M. Night Shyamalan redefined the plot twist with a finale that’s still unmatched 25 years later.

3️⃣The Others (2001)
Nicole Kidman shines in this elegant ghost story with a twist that chills to the bone ❄️. Atmospheric, haunting, and beautifully tragic.

4️⃣Memento (2000)
Christopher Nolan tells the story backwards 🌀 — and leaves your brain scrambled. When it ends, you’ll want to start over… literally.

5️⃣The Prestige (2006)
Two magicians, one deadly obsession, and a reveal that hurts more than a knife 🎩. Bale vs. Jackman in a duel for the ages.

6️⃣Fight Club (1999)
I can’t talk about it — but let’s just say its twist changed late-’90s cinema forever 💥. Tyler Durden still lives rent-free in our heads.

7️⃣Shutter Island (2010)
Scorsese and DiCaprio mess with your mind until you can’t tell what’s real 🧠. That ending? Equal parts brilliant and devastating.

🎥 Some — like Memento or Arrival — get even better when you know the ending. But others — The Sixth Sense, Oldboy, Primal Fear — you can only truly experience once. And that first time… is cinematic perfection.

👀Click here to see the full list...

🍿 ‘Tim Burton: Life in the Line’ – The Gothic Genius Unmasked 🕯🎩

📆Premiere: October 23, 2025
🎭Genre: #Documentary · #Biography
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Tara Wood —the filmmaker behind ‘QT8: The First Eight’ and ‘21 Years: Richard Linklater’— now dives into the most poetic and shadowy corner of cinema: Tim Burton’s world. ‘Tim Burton: Life in the Line’ is a four-part docuseries tracing his journey from his misfit days at Disney to the triumphs of ‘Batman’ (1989), ‘Edward Scissorhands’, and ‘The Nightmare Before Christmas’, all the way to his comeback with Netflix’s ‘Wednesday’. 🦇✨

The project promises unseen footage, rare sketches, and intimate testimonies from Burton’s closest collaborators: Johnny Depp, Winona Ryder, Helena Bonham Carter, Michael Keaton, Danny Elfman, and Jenna Ortega among others. It’s a gathering of kindred spirits who help decode the mind of cinema’s most beloved outsider —the man who turned weirdness into beauty.

For me, what’s truly captivating is how this docuseries seems to reconcile Burton the man with Burton the myth. Some may say we already know his story, but his universe still pulses between melancholy and imagination. And yes… I’ll always dream of that Batman trilogy we never got. 🖤🎬

🍿 ‘Primate’: The Killer Ape Hollywood Has Been Afraid to Make 🐒🔪📆 Release: January 9, 2026 🎭 Genre: #Horror · #DarkComedy ✈️ Follow movie Johannes Roberts (47 Meters Down, The Strangers: Prey at Night) directs this story about a group of friends enjoying…

🍿 ‘Primate’: The Killer Ape Hollywood Has Been Afraid to Make 🐒🔪

📆Release: January 9, 2026
🎭Genre: #Horror · #DarkComedy
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Johannes Roberts (47 Meters Down, The Strangers: Prey at Night) directs this story about a group of friends enjoying a tropical getaway—until their family pet, a chimp named Ben, goes berserk after being bitten by something mysterious. What follows is ninety minutes of chaos, screams, and blood under the Hawaiian sun. ☀️💉

The trailer leans into the same absurd horror vibe that made M3GAN a hit and clearly nods to the chimp scene from Nope. The blend of terror and comedy is so shameless you’re never sure whether to laugh or hide behind your hands.

A brutal warning about human arrogance in trying to tame the wild… yet also proof that watching a monkey unlock a car with a key fob can be terrifyingly fun. 🧠💀

🍿‘Send Help’: Sam Raimi Turns a Deserted Island into a Psychological Battlefield 🌴💀

📆Release: January 30, 2026
🎭Genre: #Horror · #DarkComedy · #PsychologicalThriller
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Sam Raimi —the mastermind behind The Evil Dead and the original Spider-Man trilogy— returns to his wildest roots with Send Help, his first non-franchise horror film since Drag Me to Hell. Rachel McAdams (Spotlight, Mean Girls) stars as Linda, an underappreciated employee stranded on an island with her boss from hell, Bradley (Dylan O’Brien, The Maze Runner), after surviving a plane crash. What begins as a survival story quickly turns into a darkly funny, blood-soaked power struggle for dominance.

What fascinates me most is how Raimi flips the hierarchy: the underdog becomes the predator 💪. Many are calling it a mix between Misery, Cast Away, and Triangle of Sadness —but with Raimi’s signature flair: grotesque, frantic, and wickedly fun. McAdams promises a full-on “Regina George in survival mode” performance, and that alone is worth the ticket. Raimi is back, and horror is groovy again.

🍿 ‘Young Washington’: the hero who started a war before starting his own 🇺🇸🔥

📆Release: July 3, 2026
🎭Genre: #Historical · #Drama · #Biopic
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Angel Studios is getting ahead of the U.S. Semiquincentennial with a lavish production that aims to turn young George Washington into the new icon of cinematic patriotism. Directed by Jon Erwin (‘The Jesus Revolution’), the film portrays the future president —played by William Franklyn-Miller— in the midst of the French and Indian War, surrounded by gunpowder, mud, and choices that would shape a continent. 💥

The trailer promises epic scale, faith, and fiery speeches, but it smells more like ‘The Patriot’ than a history lesson. With Mary-Louise Parker, Kelsey Grammer, Andy Serkis, and Ben Kingsley rounding out the cast, the film is clearly aiming to repeat the box-office miracle of ‘Sound of Freedom’ —though many are already raising an eyebrow at the Angel Studios label: propaganda wrapped in glossy celluloid.

Personally, I’m curious to see how they’ll polish (or not) the image of a reckless, slave-owning Washington who helped ignite a war. It may end up being a patriotic version of Young Hercules, but I have to admit — the historical intrigue is definitely there. ⚔️

🍿 Steve: Cillian Murphy against the system and his own demons

📆Premiere: October 3, 2025 (Netflix)
🎭Genre: #Drama · #ComingOfAge
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What a delight to see Cillian Murphy in such a raw and fragile role after the whirlwind of Oppenheimer. Here, he reunites with Tim Mielants (Small Things Like These) to portray the headmaster of a reform school in the ’90s, a worn-out man fighting against the institution’s imminent closure while battling his own inner struggles. Opposite him, Jay Lycurgo (Last Swim) plays Shy, a teenager caught between the violence of his past and the uncertainty of his future.

Director Mielants really convinces here, having worked with the boys in intensive workshops so that their real lives would bleed into their characters. 🎬 The score by Ben Salisbury and Geoff Barrow promises that electrifying yet sensitive touch that always hooks me.

Behind its simple title lies a complex portrait of forgotten youth, education as refuge, and the power of not having to face life alone.

🍿 Frankenstein: Guillermo del Toro’s Most Anticipated Monster

📆Release: October 17 in theaters · November 7 on Netflix
🎭Genre: #Drama · #Horror · #SciFi
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After more than three decades reinventing the figure of the monster (from The Devil’s Backbone to The Shape of Water), Guillermo del Toro is finally taking on the mother of all stories: Frankenstein. Oscar Isaac plays Victor Frankenstein and Jacob Elordi surprises as the Creature, built from the remains of Crimean War soldiers, in a version as melancholic as it is brutal. Mia Goth, Christoph Waltz, and Charles Dance round out a cast that screams awards season gold. ⚡️

Del Toro has also addressed a long-pending matter in his career: his dreamed adaptation of At the Mountains of Madness, H. P. Lovecraft’s famous novella. It was one of his most personal projects and he spent more than a decade trying to make it happen with James Cameron as producer, but studios always considered it too expensive and too adult. Now the director admits he won’t pursue it anymore, leaving it as the great impossible film of his career.

I’ve watched the trailer several times and, although some shots carry that divisive “Netflix look” 📺, I can’t deny there are images that burn into your mind (that angel of death or the monster capsizing a ship are pure del Toro iconography). 🖤

🍿 Avatar: Fire and Ash: the fire nation strikes Pandora 🌋

📆Release: December 19, 2025
🎭Genre: #SciFi · #Adventure
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The new Avatar trailer proves James Cameron isn’t slowing down. This third chapter introduces the Fire Na’vi, the Ash People, led by Varang (Oona Chaplin) and allied with the villainous Quaritch (Stephen Lang). Jake (Sam Worthington) and Neytiri (Zoe Saldaña) are still scarred by Neteyam’s death while facing an enemy that’s Na’vi themselves.

The footage teases aerial, oceanic and volcanic battles, with the crab mechs stealing the spotlight 🦀⚙️. Visually, it’s another Weta feast, though the trailer feels chaotic and gives away a lot. The most intriguing hint is that humans may soon breathe Pandora’s air, a twist that could reshape the entire saga.

Cameron already proved with Aliens, Titanic and The Abyss that no one stages action like him. The story may echo familiar beats, but when James Horner’s score, reimagined by Simon Franglen, swells and Toruk Makto appears, the goosebumps are undeniable. Never bet against Cameron. 🎥✨

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🍿 The Chair Company: Tim Robinson Turns Office Life Into a Hotbed of Conspiracies

📆Premiere: October 13, 2025
🎭Genre: #Comedy · #Conspiracy
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Tim Robinson, the mastermind behind I Think You Should Leave and Detroiters, is back with a show that feels like a sketch stretched to the max… but with the ambition of an HBO thriller. In The Chair Company, he plays William Ronald Trosper, an office worker who, after a humiliating disaster at work, finds himself unraveling a criminal conspiracy as absurd as it is unsettling. 🤯🪑

The trailer is packed with rapid-fire one-liners, cartoonish facial expressions, and Robinson’s trademark obsession with bleak middle-class workplaces where misery flips into dark comedy.

What I love most is how Robinson moves away from the usual “rich people intrigue” à la Succession and instead zeroes in on the mindset of the alienated office drone. That lens on the hopeless everyman feels as necessary as it is hilarious. If you ever thought a chair could be the center of the universe, this show is here to prove it. 🔥